The new Nikon 16-35mm f/4 lens and the Nikon 24mm f/1.4 lens

Lunch was good, although I had to run some last minute errands about but what surprised me was when this bit of news was published and what surprised me even more was that I sort of expected it. This is of course thanks to NikonRumors.com who kept on publishing posts about the validity of these lenses and now that it is announced, I said to myself, “hey, its finally out“.

So let’s look at each lens one by one. I think I shall start with the zoom lens first and perhaps save the best for last.

AF-S NIKKOR 16-35mm f/4G ED VR

353 2182 AF S NIKKOR 16 35mmf4G ED VR The new Nikon 16 35mm f/4 lens and the Nikon 24mm f/1.4 lens

When Nikon discontinued the older 17-35mm f/2.8 lens, I thought that they sort of made a mistake or perhaps was thinking of a replacement lens that is within the 17-35mm focal length. Nikon already at that time had the 14-24mm lens so that was one of the ways moving forward I guess but since Canon had the cheaper 17-40mm f/4 lens which is the younger brother of the more expensive 16-35mm f/2.8 lens, then I guess this must be Nikon’s answer to that as well.

The specs does look impressive, but the biggest surprise to me was the inclusion of VR in the lens. Yes, this lens has VR (Vibration Reduction) which is the same VR system used in the newer 70-200mm VRII lens. This system allows you to shoot at 4 stops below what you might normally shoot without VR. I ask myself, “why would anyone place VR for such a short focal length lens?“. But hey, after 20 seconds of thinking, VR rocks!

On top of that, it has AF-S meaning it uses Nikon’s Silent Wave Motor which sums up to “super duper focusing speeds with vibration reduction”. The lens is coated with Nikon’s Nano treatment and it has a minimum focal distance of 0.29m which is 0.01m more than the 14-24mm f/2.8 lens. Who gives a damn about this kind of shit?

Anyway, what is interesting to me is the focal length. If I were to shoot with two FX bodies (full frame DSLR cameras), this lens would definitely be extremely useful. One of my shooting styles is to shoot with either a 50mm/85mm prime on my FX body and the 14-24mm on my DX body so that I get a slightly different range so that when I do take group shots, the group isn’t too distorted. Now if I were to shoot with two FX bodies, this style would be quite tough because the 14-24mm might be too wide on a FX body and I have to get real close to my subjects hence the 16-35mm definitely comes in very very handy.

Price for this camera is currently set at USD$1259.95 which translates to about RM4330.35.

Expected release date for this lens is end February 2010, maybe later for us here in Malaysia.

AF-S NIKKOR 24mm f/1.4G ED

353 2184 AF S NIKKOR 24mm f1.4G ED The new Nikon 16 35mm f/4 lens and the Nikon 24mm f/1.4 lens

Now I am very fond of prime lenses and I definitely love shooting with them and keeping them wide open to enjoy nice crisp images as well as feel the extensive bokeh out of them due to its ability to photograph things at very very shallow depth of fields. After releasing the DX 35mm f/1.8G lens and the 50mm FX f/1.4G lens, it seems that Nikon is on a roll here with the 24mm f/1.4G lens. Note, the G means that these are the digital versions of these lenses where there is no aperture ring control on them.

The big difference with these lenses is with the AF-S motor on the lens allowing the lower end models such as the D40, D60, D5000 and others to be able to enjoy autofocusing using these prime lenses. The lens is coated with the same nano treatment and it has a minimum focusing distance of 0.25m.

Frankly, I definitely see myself using this lens for my portraiture and wedding work but I am still a little sceptical on whether I really need one. You see, I have been having an epiphany lately especially when it comes to purchasing more photography equipment. The ever lasting battle of “needs” versus “wants” still prevail in my thoughts and of course the price tag is helping me decide whether I should get it or not.

Price for this lens is currently set at USD$2199.95 which translates to about RM7561.23.

This is an insane amount and I think I would rather replace my older 80-200mm lens with the newer 70-200mm f/2.8 lens first before considering getting this prime. Although I know it would definitely make a lot of difference in my work, I am still learning how to use more of my wide angle lenses. At 24mm, I already have my 14-24mm as well as 24-70mm lenses but I don’t get to enjoy anything less than f/2.8 at those ranges. Perhaps I might need to try it out first, so if anyone of you are rushing to get one, do let me try playing with it icon biggrin The new Nikon 16 35mm f/4 lens and the Nikon 24mm f/1.4 lens

So aside from being an extreme gear head and avoid all forms of temptation, as how energy cannot be destroyed but only converted, I shall now convert my extreme temptations into a blog post so that I can tempt my readers out there instead.

Have a great day ahead, stop drooling over those lenses icon wink The new Nikon 16 35mm f/4 lens and the Nikon 24mm f/1.4 lens

Wednesday Clicks

Since I am on a totally different time zone (its supposed to be 1.20pm in KL now but its only 12.20am here in Chicago) so I decided to post pone the post a little bit to suit my time here. Frankly, between 8am-7pm classes all day, I am thankful that the sun does appear about later than usual so that it doesn’t feel that late. But nevertheless, I haven’t gotten used to waking up at 6am everyday so that I can head over for breakfast before class. Food here is absolutely fantastic and fresh strawberries every morning! Ok, I have to be honest, my breakfast is usually made up of pork cumberland sausages, with pork bacon and scrambled eggs and of course, the creme de la creme, free Starbucks coffee. Yeah, that is the life I can get used to.

Anyway, back to this week’s click.

  • Head over here to download Coldplay’s live album, absolutely free!
  • Check out this new blog released by the New York Times called Lens. I guess the name explains it all about what the content of the blog would be.
  • This week’s guest speaker at Scott Kelby’s blog is none other than Vincent Versace. I was introduced to Vincent Versace by Kee Sitt. This led me to purchase his book last year and to be perfectly honest, I have had just a glance through it but never really study it yet.
  • New leaked specs about the upcoming iPhone which is predicted or assumed to be launched on the 17th of July. Can anyone say, Organice Liquid Emitting Display ten times?

That’s all for this week. Its late over here and its time to sleep. I guess it would be easy to get over the jet lag now since I have had a couple of drinks at the local bar earlier.

D40/x finally gets to use Tamron, D3 unboxed

My first ever DSLR was the Nikon D40 which I purchased in January. Since then, I started my interest in the area of photography. Being a relatively middle income earner and knowing the exorbitant prices that revolves around this new hobby of mine, I faced a problem.

The Nikon D40 didn’t have the autofocus motor built in the body. I guess this was Nikon’s way of reducing costs but it came as a problem for D40/D40x owners, they had to buy either Nikon’s AF-S type lenses or perhaps a cheaper alternative would be the Sigma HSM type lens.

But, I am not here to talk about the D40 shortcomings.

Tamron, another 3rd party lens maker has finally decided to jump onto that bandwagon to manufacture a lens capable of having the autofocus function with the Nikon D40. In any sense, this is a good business move by Tamron because they are catering for a large market (the D40 has a huge market because of its price worldwide) of consumers.

a18n2 D40/x finally gets to use Tamron, D3 unboxed

AF18-250mm F/3.5-6.3 Di II

“The AF18-250mm F/3.5-6.3 Di-II LD Aspherical (IF) Macro is the ultimate high power zoom lens boasting the world’s greatest zoom ratio(*1) of 13.9X, a milestone that Tamron, the pioneer of high power zoom lenses, has achieved by commanding its technologies to further expand the capabilities of high power zoom lenses.”

With this in mind, I think Tamron has a winner provided that the price of this lens is priced well as it is definitely a good travel lens. It gives a nice wide 18mm as well as a long telephoto (compared against the usual 18-200mm lenses). Let’s see how this will fare against Sigma’s travel lenses.

Back on the other spectrum of the price range would be something which many people have been waiting for, the Nikon D3. The first full frame DSLR for Nikon, the D3 marks an important milestone for Nikon and I am sure many people would be more than happy to jump on the new bandwagon.

Well, if you are still clueless about the Nikon D3, don’t fret. Head over here to see how the D3 would look unboxed!

Related links:

Sigma launches two new telephoto lens, 50-150mm f/2.8 and 70-200mm f/2.8

If any of you budding photography enthusiasts out there require a need of a good fast telephoto lens but don’t have the budget to fork out large sums of money, well Sigma has the answer for you.

Sigma today announced the launch of two new telephoto lens, the APO 50-150mm F2.8 II EX DC lens and the APO 70-200mm F2.8 II EX DG MACRO HSM lens.

Pphoto 50 150 28 II APO DC Sigma launches two new telephoto lens, 50 150mm f/2.8 and 70 200mm f/2.8

APO 50-150mm F2.8 II EX DC HSM

 

 

The Sigma Corporation is pleased to announce the launch of the new APO 50-150mm F2.8 II EX DC HSM lens.
This large aperture telephoto zoom lens is designed exclusively for digital SLR cameras with APS-C size sensors and its compact, lightweight body provides freedom of movement and versatility. The minimum focusing distance of 100cm/39.4in. and the high-resolution power layout have improved the strength of the lens in close-up photography. This lens offers a large aperture of F2.8 and its large depth of field offers greater freedom of creative expression. It has a maximum aperture of F2.8. Four SLD glass elements are used for maximum correction of chromatic aberrations. The super multi-layer lens coating reduce flare and ghosting and ensure sharp images throughout the entire zoom range. The lens design incorporates an inner focusing and inner zooming system. As the overall length of the lens does not change during focusing and zooming, convenient handling is ensured. The HSM (Hyper Sonic Motor) system allows quiet and high-speed auto focusing with full time manual focus override by just rotating the focusing ring. The addition of the optional 1.4x EX DG APO or 2x EX DG APO Tele Converters produce a 70-210mm F4 AF tele-zoom lens and a 100-300mm F5.6 AF ultra-telephoto zoom lens respectively.

* Vignetting will occur if the lens is used with digital cameras with image sensors larger than APS-C size or 35mm SLR cameras.

 

Pphoto 70 200 28 II APO DG  Sigma launches two new telephoto lens, 50 150mm f/2.8 and 70 200mm f/2.8

APO 70-200mm F2.8 II EX DG MACRO HSM

The Sigma Corporation is pleased to announce the launch of the new APO 70-200mm F2.8 II EX DG MACRO HSM.This large aperture zoom lens has improved optical performance and retains close-up ability with a minimum focusing distance of 100cm/39.4in and maximum magnification ration of 1:3.5. This lens is suitable for taking all type of subjects such as portraits, landscape, and close-up pictures. Two SLD (Special Low Dispersion) and three ELD (Extraordinary Low Dispersion) glass elements provide excellent correction for all types of aberrations. High image quality is assured throughout the entire zoom range. The super multi-layer coating reduces flare and ghosting. This lens incorporates HSM (Hyper Sonic Motor), which ensures a quiet and high-speed AF as well as full-time manual focusing capability. The lens design incorporates an inner focusing and inner zooming systems. The overall length of the lens does not change during focusing and zooming, ensuring convenient handling. A removable tripod collar (TS-21) is included as a standard component. When this lens is used with the optional 1.4x EX DG APO or 2x EX DG APO Tele Converters, it becomes a 98-280mm F4 AF telephoto zoom lens or a 140-400mm F5.6 AF telephoto zoom lens respectively.

For a while now, I always contemplated whether getting a telephoto lens is actually worth its pric. I guess that with the new upcoming 3rd party lens from Sigma, the expected prices for these lens should be in the range of RM3k+ and above.

What makes these lens a Christmas item wish list is that, for budding photagraphy enthusiasts (like me), who want to shoot weddings (also like me), would want a cheap alternative to shoot those up-close portrait shots of those moments under low light. The f/2.8 will definitely offer good performance without maximizing one’s ISO setting.

Now that I have hinted, it is only 21 more days till Christmas and I would be more than happy to accept this *grins*.

Related links:

pixel Sigma launches two new telephoto lens, 50 150mm f/2.8 and 70 200mm f/2.8